The Fields of Athenry, Part II

A Newfoundlander’s bicycle journey across Ireland

By Dennis Flynn
Special to The Charter

Author’s Note:

This article appeared in  “The Charter” on March 17, 2003.

This article also ran in “The Compass” on Page A10 on March 18, 2003.

Just as a brief aside, one should be aware that nursing a pint (or more) of beer at “the Local” (as your favourite pub is called) in the evening is almost a national pastime in many parts of the Emerald Isle.

The residents of most towns I visited readily explained to me that definitely not everyone is a drinker but even among teetotallers there is a strong cultural tradition to go to the pub simply for the social aspect of it all.

To bypass the pubs in Ireland as one elderly patron put it, “Would be akin to making a pilgrimage to Rome and not going to see the Vatican,” as somewhere along the line you would miss out on an important element of what Irish hospitality is all about.

The people I encountered in these little venues (especially away from the larger cities) were generally gregarious, fun loving, and made you feel as if you had been there all your life.

The welcome was such that you were treated not as a stranger visiting, but as an old friend coming home after a spell abroad. This seemed especially pronounced when people discovered I was a Canadian, for some reason not elaborated to me.

When they further learned I was actually a Newfoundlander (with distant Irish roots) cycling across their country alone they just about adopted me.
Several times I had to kindly turn down offers to stay longer and invitations to “real Irish parties.”

My schedule had some slack periods but not enough, unfortunately, to allow me to recover from the after-effects of whatever bacchanalian frenzy of music, victuals, and booze must surely constitute a “real Irish party.”

Maybe next trip I’ll partake, if I have more time, more funds, and a stronger constitution.

The Craic
Another key point for anyone planning on spending some time in the pubs is a concept called “the craic” (pronounced “crack”).

While the craic is hard to define, it is as essential to pub life as air is to the human body or water and sunlight are to plants.

When I first heard people discussing, “the craic was grand tonight”, or “the craic was huge down at the pub,” I was sure I’d walked in on an illegal drug deal or was catching a reference to some gapping split in the side of a wall that would spread further and bring the roof down. Neither of my definitions was even close.

“The craic” is everything and nothing all at once.

It is the news of the day; it is the football matches on TV; it is the latest word on horse races and hurling; the wild stories of fairy rings, banshees, and spectres of long dead travellers lurking the bogs; the jokes that make your sides hurt from laughing; the sad songs that tug at the chords of the heart as if they were the strings of a mournful fiddle; and it is the mixture of music, talk, and general ambiance that makes a place lively or not.

In short, “the craic” is the atmosphere of a pub, for want of a better way of putting it.

In Athenry, “the craic was ninety” (meaning as good as it gets).

Case in point, a gentleman named Thomas (who was out with his wife Bernadette celebrating her birthday) saw me writing in my journal and filled me in on the history of the town, the sites to see, and an amazing assortment of all things Irish.

None of that
This couple and their daughter sat in the little pub and chatted with me for hours and I learned more about the place than if I’d read books on it for a year continuously.

Besides Newfoundland, where the hospitality is legendary, the folks I met in Athenry were some of the friendliest I have ever encountered. For instance, your man Thomas, would accept no payment for any rounds of Guinness or other beverages insisting quietly that “we’ll have none of that, you are the guest here and in Athenry we make you feel at home.”

They certainly did that in grand style and after a final flourish of thank yous and exchanging of addresses, I wound my way back to the snug hotel and slept as soundly as if I were back on the Rock once again. My night in Athenry was done.

The song
Of course, no discussion of Athenry is complete without mentioning the song The Fields of Athenry written by Pete St. John in 1979. The original words that inspired him, however, go back even further to a broadsheet ballad that was published in the 1880’s by Devlin of Dublin.

The Glasgow Herald for 10 April, 1996, noted the version recorded by Paddy Reilly in 1979 was a best seller (with an album of the same name).
In the subsequent years, there have been over 400 cover versions made with conservative estimates on single sales put at five million. Set in 1846, the haunting song was allegedly based on a true story of the fate of one young couple during the Irish famine.

To paraphrase, The Fields of Athenry tells the story of Lord Trevelyan who obtained a supply of corn back from America in an attempt to combat starvation caused by the potato famine. Unfortunately, the shipments turned out to be Indian corn (which is too hard to be milled) and effectively rendered them useless. The Irish people, not realizing this, thought the corn would save them and so broke into the stores, were arrested, and subsequently deported to Australia for their crimes.

For those interested in the actual lyrics I present both the 1979 version by Pete St. John side by side with the original from an 1888 broadsheet. It is up to the audience to decide which they prefer, but either way it is a beautiful song.

 

 “The Fields of Athenry”

1979 version by Pete St. John

By a lonely prison wall, I heard a young girl calling

"Michael, they have taken you away,

For you stole Trevelyan's corn,

So the young might see the morn.

Now a prison ship lies waiting in the bay."

Chorus:

Low lie the fields of Athenry

Where once we watched the small free birds fly

 Our love was on the wing

 We had dreams and songs to sing

 It's so lonely round the fields of Athenry.

 By a lonely prison wall, I heard a young man calling

 "Nothing matters, Mary, when you're free

 Against the famine and the crown,

 I rebelled, they cut me down.

 Now you must raise our child with dignity."

 By a lonely harbor wall, she watched the last star fall

 As the prison ship sailed out against the sky

 For she lived to hope and pray for her love in Botany Bay

 It's so lonely round the fields of Athenry.

 

“The Fields of Athenry”

1888 Broadsheet version

By a lonely prison wall

I heard a sweet voice calling,

'Oh Danny, they have taken you away.

for you stole Travelian's corn,

that your babes might see the dawn,

now a prison ship lies waiting in the bay.'

Chorus

Fair lie the fields of Athenry

where we stood to watch the small freebirds fly.

Our love grew with the spring,

we had dreams and songs to sing

as we wandered through the fields of Athenry.

I heard a young man calling

'nothing matters, Jenny, when your'e free

'gainst the famine and the crown,

I rebelled, they ran me down,

now you must raise our children without me.'

On the windswept harbour wall,

she watched the last star rising

as the prison ship sailed out across the sky

But she will watch and hope and pray,

for her love in Botany bay

whilst she is lonely in the fields of Athenry

 

 

Something special
One final note about Athenry. At breakfast the next morning I met a pleasant elderly gentleman named John cradling a pint at about 10:30 in the morning (he being a retired farmer and used to the early rise, this was just about supper time for him I’d reckon).

Anyway, John (of the ancient yet exceedingly bright eyes) talked to me about places we’d both been and other topics of general interest.

Eventually the verbal dance came to how pretty Athenry was and how friendly the people were.

John liked this tack of the dialogue and added something that I carried away with me.

He said, “People who come here to visit, for some reason that I don’t really know, say there is something special about the place and that no matter where they go they’ll never forget Athenry.”

On my way out of town, pushing my bike hard west towards Galway and the Aran Islands, I took a moment to stop and pick up a few small rocks from a grassy meadow so I’d have a souvenir of my journey to this musical landmark in the heart of Ireland.

Maybe I’ll select one of the stones to be polished and made into a necklace when I get back home. But in the final analysis it’s not really necessary, for like John, and so many before him over the years, I’ll never forget the warmth of the people and the beauty of the Fields of Athenry.

 

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